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Signed Bob Masse Rock Posters - Janis Joplin & Grateful Dead, Prints

Currency:CAD Category:Memorabilia / Music Memorabilia Start Price:10.00 CAD
Signed Bob Masse Rock Posters - Janis Joplin & Grateful Dead, Prints
SOLD
Winning Bid Undisclosedto
This item SOLD at 2026 Jul 22 @ 12:46UTC-07:00 : PDT/MST
Preview: July 18th (10am - 5pm)
Pick ups: July 23nd - July 25th (10am - 5pm)

Preview and Pick up location: 27294 Fraser Hwy, Aldergrove, BC V4W 3P8

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Collection of signed Bill Masse posters, each approximately 17" x 24", showcasing his contemporary graphic interpretations of iconic psychedelic-era concert imagery. This grouping includes Masse-signed posters for Janis Joplin and the Grateful Dead, each rendered with his signature blend of bold color, stylized figures, and modern poster-design aesthetics.

The Janis Joplin piece features swirling psychedelic patterns, vivid color fields, and ornate decorative motifs surrounding a central portrait silhouette, while the Grateful Dead poster presents a hypnotic optical-illusion centerpiece paired with classic counterculture typography and layout. Each print is artist-signed, adding collectible value and confirming direct provenance.

A strong lot for collectors of psychedelic art, rock-music ephemera, and signed contemporary graphic design.

Bob Masse is one of Canada's most influential rock-poster artists, known for helping define the visual language of the 1960s and 1970s psychedelic-concert era. Beginning his career in Vancouver's counterculture scene, Masse produced posters for major performers including The Doors, Jefferson Airplane, Jimi Hendrix, Led Zeppelin, and countless West Coast venues. His work blends Art Nouveau influences with flowing linework, ornate borders, and vivid color palettes, creating a distinctive style that remains highly recognizable and widely collected. Over several decades, Masse has continued producing limited-edition prints and signed reissues, maintaining a legacy as one of the most important and enduring figures in North American poster art.